-Thus he is able to offer to the photographers and plastic artists an alternative to conventional printing and a thorough collaboration in the creating process of their work. He prints for artists from Spain, France and Latin America dedicated to advertising, author photography and exhibitions. In 1996, he is first commissioned by the Ortiz Echagüe Trust (now Fondo Fotográfico Universidad de Navarra) to make prints of this photographer's work. From this year forward, he also prints (early processes and gelatin-silver) for different Archives and Foundations such as Archivo Histórico de Telefónica, Fundación Marcelino Botín, Fundación MAPFRE.


-In 2005, he starts his project of research "A new life for photography. Historical printing processes. Printing and facsimile" in collaboration with and financed by the Fondo Fotográfico Universidad de Navarra, for a duration of three years.

As a special contribution to this project and a marketing sponsorship, EPSON Ibérica leaves in deposit the in Stylus Pro 9800 y 4000 printers and the Expression 10000XL scanner.


-At the same time, he runs photographic workshops at a number of universities and institutions (such as the École Nationale Supérieure Louis Lumière, Paris, France; the Universidad de Navarra, Pamplona, Spain; the Fundacio Miro, Majorca, Spain; Centre d’Art Bozart, Abidjan, Ivory Coast; among others).


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CARLOS BARRANTES photographic workshop

historical and alternative processes

traditional black & white

digital impression

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